Showing posts with label birth. Show all posts
Showing posts with label birth. Show all posts

Friday, October 15, 2010

Water on Water's the Way: Blog Action Day 2010



When it occurred to me that the animals are swimming
around in the water in the oceans in our bodies.
And another had been found, another ocean on the planet,
given that our blood is just like the Atlantic.

- Modest Mouse, "3rd Planet"



Everybody knows we're mostly water. But I remember the kind of mystic revelation that hit me the first time I read that scene in J.D. Salinger's short story "Teddy" where the ten-year-old describes watching his little sister drinking milk, how he suddenly saw that she was God and the milk was God, and "all she was doing was pouring God into God." David Suzuki echoes this startling but simple truth when he writes in his book, The Sacred Balance, that "we are intimately fused to our surroundings and the notion of separateness or isolation is an illusion." Our physical being weaves us intimately into the world of air, water, soil and sun, and as Suzuki says, "these four 'sacred elements' are created, cleansed and renewed by the web of life itself."

When we eat, we participate with Spirit and the gods in a dance of growth, death, decay and rebirth, as even our waste returns eventually to the land to nourish and enrich the soil from which our food grows. Plants transform the energy gifted to them by the sun into forms that can be absorbed and exchanged, and when we work, we release that energy again through the efforts of our hands, legs, mouths and minds to shape the world. Our breath is the breath of our ancestors, but also of the atmosphere and the weather, the winds and storms that encircle the planet and rustle the leaves of the tree just outside the window. And when we drink of those waters that well up from the earth, blessed, guarded and sustained by the gods and goddesses of the oceans and the holy springs and the caves of the underworld, all we are doing is pouring god into god.

Monday, June 21, 2010

Pagan Peace-Making: A Call for Submissions

Voices of Pagan PacifismSix months ago, I resolved to write a book. Or, at least, to try. I gave myself a year, to flush out all the insecurities and psychological stumbling blocks that were in the way, and begin the work of articulating my vision and song of practical Pagan peace-making.

Six months later, the journey has changed shape. The process I committed to has come to demand that, first, before the sojourn of writing there must be a period of pilgrimage, a going-out along the peace-forging path in a new and more social way, learning from others as I go. Back at the beginning of May, I was invited to join the blogging project Pagan+Politics, and the familiar anxiety swept over me again as I wondered if I was up to the challenge. The experience has been both simpler and more difficult than I anticipated, with a great deal of stress and distraction as I have fought the urge to follow arguments far off course, into unfruitful bickering and petty fact-checking. Yet it has helped me to clarify my own thoughts, as well as get a better sense of where the detractors and dismissers of peace-making are coming from. Most importantly, however, it provided an opportunity to hear from readers the relief and gratitude at discovering they were not the only Pagan Pacifists out there, and to discover just how important it is for us to hear the voices of others and to know that we are not alone.

Saturday, April 24, 2010

And On the Edge, Surrender

Sometimes the world feels very small.

Why is it that sleeping on the hard-packed sandy ground of the campsite, a waxing crescent moon glimmering through the thin canvas of the tiny old tent half the night, leaves me so limber and light and full of buzzing energy? It must be three or four days since I've had a full night's sleep — still, here we are, lying awake beside each other in the dark a half-hour before the alarm is set to go off, lying so very awake and listening to the first few birds of the morning. I think you smile at me in the darkness, and for a long while we just hold hands. When the alarm finally rings it seems quiet compared to the birds, and we slip from our sleeping bags, rustling and feeling our way as best we can towards our shoes and the zipper of the tent flap — in another minute, the tent is empty and deflated on the ground, and you stuff the last collapsed tent pole into its bag as I load up the car and then busy my hands dragging a brush through my sleep-tangled hair before twining it back into a loose braid again. Everything is darkness and night still. Neither of us can remember what time the sun is supposed to rise, but even the blue shadows of the dawn twilight have barely begun to lengthen and ripen, so I guess we still have time.

Thursday, December 3, 2009

A Ha'penny Will Do: A Pagan Perspective on Christmas

The noise of the internet is in my head today as I sit down to my computer. Already afternoon — where did the morning go? All fog and rain here in the hilly Steel City, and no snow yet this year except for that brief slushy mix drifting from the sky on Black Friday, as if in response to some pre-planned Xmas Shopping marketing ploy. December already, and the full moon, a full Fire Friend moon last night. Fire Friend, high cloud-webbed shining rock in the sky on the drive home, echoing the tasteful evergreen wreaths wrapped with strings of tiny star-like lights and topped with red bows on the windows of the house next door. I joked with Jeff about putting one of those cheap plastic candelabras in the downstairs window of his apartment. In a Jewish neighborhood that decks itself out in huge wooden lawn menorahs and fills the grocery store aisles with blue and silver Hanukkah decorations every year, would anybody even second guess which holy day we were celebrating?

Christmas is coming. Amidst the noise in my brain this afternoon, that song wends its way through. "Christmas is coming, the goose is getting fat...." It's strange, but Christmas is one of those holidays that make me feel the most Pagan. Maybe it's all the greenery brought in from outside, the whole-hearted unabashed singing and celebrating and decorating, especially with the simple old-fashioned trimmings of ribbon and candles and holly and bits of shining tinsel. During the Christmas season, my parents' house itself becomes a kind of walk-in shrine to Yuletide Cheer, and I've inherited my fair share of holiday decorations that find themselves strewn about my apartment each year, a simple nativity scene still taking a privileged place atop the armoire in the living room. The green and red and ribbon and fire and shiny things, all this raging against the dying of the light, is all very Christmas-y to me, though. Alban Arthan, the solstice, remains distinctly quiet, reflective and dark, the new-born sun like a small, cold seed of potential light still to be planted, hidden away, unripe and unready. Yet it seems more obvious than ever that both of these are necessary, both moods relevant and revelatory each in their own ways.

This year, my decorations will be migrating over to Jeff's place where, for the first time, I will be sharing Christmas with children as a kind of parent-figure in my own right. Children who still don't know Santa Claus isn't real (despite the oldest being eleven and having only just found out the Tooth Fairy has been mommy all along). The "story" we're sticking to, in case this is the year they ask, is that Santa is real, because he is the spirit of generosity and gift-giving that we invite into our lives and into our hearts, to help guide us in choosing the perfect gift for our loved ones. It's the same story my parents explained to me the year I playfully, but knowingly, asked my father for Santa's phone number because I needed to call him and update my wish list, and my father in turn dutifully dictated our own home phone number as I dialed, a mischievous look on his face. And if this weren't also a bit of a lie — if we weren't more carefully guided by marketing and game-theory parenting — it would be a very nice story, a lot nicer than just acknowledging that we lie to our children every year. But I find that I can't be all too concerned with whether or not the kids believe in Santa Claus (though I worry sometimes that the longer their disillusionment takes, the more fundamentally disturbing it will be for them in the end). Instead, I have found myself ruminating on Christianity and the story of Christ, and how to share this with the children in a meaningful way as a Pagan "parent."

Honestly, I find that I'm having a bit of an identity crisis over the Christmas holiday this year. Not so much the kind that leaves me wondering who I am — I know who I am — but the kind where I find myself asking, "Who the f' are all of you, anyway?" Christmas is still the one time a year when I attend church with my family, though I no longer participate in the sacrament of Communion out of respect for the Catholic Church's own sense of community-identity boundaries and sacred mysteries. Every year, midnight on Christmas Eve (or, I guess technically, Christmas morning) finds me sitting meditatively in one of the long, polished-wooden pews of my old church, smiling familiarly at the faces I recognize, noting the muted creams, greens and golds of the church's Christmas decorations, neither gaudy nor solstice-seasonal, that always seemed so oddly out of touch with everything except the building's own particular sense of style.

Midnight Mass is presided over every year by a priest now well into his eighties, who is one of the wiser and kinder spiritual leaders I've known in my life, and who speaks gently and deliberately each prayer and blessing. Whereas once I thought his long pauses and slow pacing were signs of senility finally setting in, work with regular meditation in my private life has in recent years opened up these moments of quiet, in the darkest hour of the longest night, to reveal the spaciousness of absence and Mystery. From the warm lights and bustling family noises of a cheery home edged with expectation and excitement, each year we venture out into the windy darkness of winter midnight, starlight scattered across shorn-down fields rolling out to the horizon in all directions, to sit for a time in dimly-lit tranquility, singing old, familiar songs in keys nobody can comfortably reach. And when the wizened priest stands at the altar and recites the Proclamation of Christmas — "Today, the twenty-fifth day of the month of December, countless ages after the creation of the world..." — to the building crescendo of the organ piling chord upon chord, culminating in the announcement that Jesus is born, today, this day, in the present tense, while the organ shakes the building to its rafters, every year I feel that strange and knowing thrill. The thrill of mystery, where garish light-filled celebration collides with darkness and fragility and the silence of the rumbling, trembling pipes of music suddenly cutting out.

And I find myself wondering, this year especially, what does all this have to do with Christianity?

Now, I think many Christians would themselves say that this is it, this is really the heart of Christianity when all's said and done. This moment of creation and beauty and light within the gently howling darkness. Yet so many things get tacked on, added and amended, huge socio-political institutions growing up around simple, powerful truths, institutions that expect assent to certain formulae and doctrines, that draw conclusions about heaven, hell, salvation and revelation. I no longer believe the story of Jesus as exclusive spiritual truth, let alone as literal historical fact. Yet I believe in the story in a way that anchors it deeply in my bones, regardless of what religious community I belong to; I believe in the truths this story tells. I have not left those truths behind; they were in many ways the very thing that led me to Druidry, that left me dissatisfied with Christianity as an organized religion. These truths have never disappeared from my life, and yet I am as sure of them today — as sure of their mystery and power and gentleness and goodness — as I am sure that in every way that counts, I'm no longer a Christian. Not really.

But that leaves me with a question. Because the solstice season is a season of noisy celebration and fire-lighting and gift-giving, as much as it is a time of death and darkness and the suffering struggle of rebirth in the biting, barren cold. And the story of Christ being born is, all theology and doctrine aside, the story of the birth of the world, weak and squirming and covered in glop, the on-going singing of the World Song, ever-new and always renewing, today, this very day, in the present tense. So the question I'm left with is: how do I share this aspect of the solstice, Alban Arthan, with children never raised with a theology of god-become-man, not even familiar with the story, with the bizarre notion that Utter Godness is within each of us? And how do I tell them the story without getting bogged down with the language of doctrine and interfaith politics? Never mind that Santa Claus isn't real, how do I teach them the things that are?

Because one thing you can certainly say for Christians is, they've got focus. The birth of a sun-child on the winter solstice is all the more powerful when that babe of light is the unique Revelation of Spirit, the whole Divine shebang condensed down into this singular, fragile form. This is, in some ways, poetry heightened to the nth degree: not only the use of particulars to speak of universals, but the exclusive worshipful focus on a single Particular as the whole of the Universe. The Hindu bhakti yogic discipline of love and devotion to one particular deity has nothing on this. And the mild Pagan focus on Mabon, or Sol Invictus, or whatever other solar deity... well, feels a bit lacking in comparison, just another god among a whole slew of gods and goddesses to choose from, if you please. Besides which, the gods of Pagan polytheism sometimes feel so heroic and larger-than-life that the utter mystery of vulnerability and weakness gets left in the mythic-metaphorical dust.

Whereas, take Mary, whose only superpower was having not had sex yet. As the story goes, this young woman, living in poverty, sustained in her livelihood largely by family and community ties and betrothed to a man she loved deeply, is confronted by God — friggin' God, you guys — and given the choice to bear a holy son destined, after only a few short years on the planet, for degradation, suffering and death. Aside from the destiny of the child, to be an unmarried woman and pregnant at this time risked personal shame and community rejection, jeopardizing the future of her marriage and permanent ostracism from the social ties on which she depended. And the Universe itself basically asked her permission, this nobody, this fragile little human thing, and in full knowledge, knowing what risk she faced and the suffering it would bring, confronting the overwhelming injustice of it, and her own smallness and impotence in stopping it... she said yes. No goddess with nothing really to lose. Just an ordinary woman, who gave birth to a god as wrinkled and spongy and smelly as any infant.

There is something important in this, something that I wonder sometimes might be missing from today's Paganism still deepening and finding its sea-legs. There is, in the Christmas story, something about confronting the reality of darkness and suffering, not with shouting and singing and leaping bonfires in defiance, nor with acquiescence, silent obedience or willful denial... but with quiet, unflinching affirmation, the affirmation of empowerment, courage and strength, the life-giving, meaning-making affirmation of creation. A recent comment from a reader of this blog spoke of the "gentle respect" for suffering and difficulty that lurks sometimes in my writings here. For me, sorrow, loneliness and grief go hand-in-hand with joy, connection and love in this life we live together, in this song we all are singing. In a very real way, I could not devalue or deny these things without sacrificing the fullness and complexity of beauty and life, without substituting a shallower, simpler version of mere contentedness and safety in their place. This is a truth of my Druidry, my Paganism — the balance, the intricate interweaving of darkness and suffering with illumination and ecstasy. The liminal space between, within which nothing is precisely delineated and separate.

And so, this is the space I find myself in again as Christmas approaches. Wondering, wandering in a liminal space that is not precisely Pagan, nor exactly Christian. Asking myself how to teach children that realizing their own inner Santa Claus is infinitely more challenging than believing in some unlikely literal jolly-old-elf, and infinitely more rewarding. Asking myself where I belong, where we all belong, and how we belong to each other. Asking myself how I can tell the stories of my ancestors, pagan and Christian alike, to the children of my partner, who do not really share those ancestors with me, at least not by blood. What can I say that will be meaningful and relevant for them, that will share with them the "spirit of the season" that I have come to know and love and value? What will I say when they come singing, a penny for my thoughts?

Well, like the song says, if you haven't got a penny, maybe a ha'penny will do. And if you haven't got a ha'penny... may the gods bless you.

Wednesday, May 28, 2008

The Beauty Bone

Okay, you know the funny bone, that weird little spot on your elbow that tingles something awful when you bump it in just the right way? It has something to do with ligaments and joints, and how muscles and bone and flesh come together in a spot that swings and creaks around a few thin, long nerves.

I think I have some sort of internal tragicomic 'beauty bone' that tingles and tears up whenever something--an idea, an image, a word or memory--strikes me in just the right way. This quote by Terry Pratchett, for example:

As they say in Discworld, we are trying to unravel the Mighty Infinite using a language which was designed to tell one another where the fresh fruit was.


The first time I read it, I smiled and chuckled, yes, isn't that so clever and true... Then I read it again--and I started to cry a little.

There it is, do you see it? The Elbow of Spirit swinging on necessity and longing, nerved words of practical need banging up against the rock-hard ineffable. Do you feel the pinch? Fruit, that is hunger, that is Spirit, that is language, that is fruit.

The other day, I went to see the new Chronicles of Narnia film, Prince Caspian. A pleasant fantasy-adventure movie, with beautiful landscapes and daring sword fights, and a little girl named Lucy who's burdened with an overabundance of faith. All in all, an enjoyable movie, even the fearful battles mitigated by a sense of safe familiarity because, in Narnia, nobody dies, not really. But there was a moment, towards the beginning, when Lucy dreams of the birch trees dancing in the forest, their nymphs coalescing in clouds of blossoms drifting on the breeze--and she wakes to find the grove utterly still, the trees just trees again. She pauses by one, leans against the trunk touching the papery bark lightly with her little fingers, and whispers, "Please wake up..."

Perhaps it's that phrase, the please wake up, that has been whispered in movies and books by so many children to so many dead, the still bodies that look to be only sleeping, that move too limply when shaken--maybe that's what hit the beauty bone this time. As the children's movie rolled on, I suddenly remembered another film, a film about actual war in the actual world, and the old man who sighed deeply in the dark theater as if he didn't know I was there. I remembered how, upon leaving the theater as the credits rolled, I saw him coming out of the bathroom, his eyes red from crying, his jaw set against the embarrassment of being caught in the bright sunlight of the street outside.

There it is--the sighing grief in the dark, and its juxtaposition. A sense of vertigo, when cliché breaks open again and there is the void lurking just beneath it, the sense of loss, layer upon layer, all of us having lost something, all of us whispering, pleading, until the please itself becomes a thin membrane of voice and grief that holds us up. There it is again, the particular breaking open, the bodies of the dead, the pale tree, the single pear, the stem and seeds, that which becomes the bones and soft flesh of a god. The muscles and joints, how the world is put together, how it moves, and the currents of longing and hope and helplessness running through it.

Do you feel the pinch?

Friday, December 21, 2007

Winter Ember Days

The sun has set on the longest night.

Sitting here in my quiet little living room on the night of the Winter Solstice, Alban Arthuan, I suddenly feel that overwhelming wistfulness of "wanting to go home." This silly old apartment is more my home than any place has been since I was almost too little to remember. I feel very lucky in my life--people come and go, and new people arrive and stir up stress and hope, but somehow I still feel lucky and loved and not so alone. Lonely, though. It's one of those evenings when I really wish I had a cat. I remember my cat--I think maybe she was the same way. No matter how loving and affectionate she could be at times (or tolerant of cuddles in her old age) I think maybe there was a little part of her that was also lonely, always a little lonely after our old dog died. Can an animal have that kind of loneliness?

We spend a lot of energy trying not to be sad these days, trying to avoid the risk of becoming sad. We pursue happiness--after all, that's what this country is built on, isn't it? And when a new insecurity or unforeseen need or desire arises (or someone creates one in us as a way of exercising power over us and earning trust or money from us), we do our best to placate, ameliorate, mitigate. Evergreen

All I want is to learn to walk through sadness and come out the other side. I want to learn how to live a life that is not hedged in by the fear of sadness or loss. I think I'm getting better at it, at pressing onward, walking through the thick of it, the heavy darkness, dense with grief and the extinction of the grasping ego... but the other side is still lonely. Maybe because so few make it through.

So I'm wistful tonight for the home I left in order to make a new home on the other side of sadness. Maybe this is why birth is really so amazing--that we can make of our very bodies a home for an innocent new being--that, like those physical houses constructed out of sacrificed trees and broken stones, we can build that kind of sanctuary. A warm hearth, a place from which new happiness on this side of loss and hardship can begin again. Even when we have passed through sadness and loneliness, been shaped by them and scarred by them, that we can still become a bridge to the new, to the newly born, to the beginning.