The Long Goodbye: Part Three

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The Seven of Cups indicates the paradox of choice, and the difficulty of choosing when too many opportunities and options seem to beckon. Unable to decide which course it would be best to pursue, we starve and waste away like Buridan's ass paralyzed into inaction by an unpredictable future. The card was telling me what I already knew, what I had been experiencing for the past few months as I tried to juggle an increasing number of obligations while fighting to keep down my frustration at not making very much progress on any of them.

Obligation and Divination

Throughout my life, I have been pretty good at following my intuition, listening for the cues of my subconscious to help guide me in making important life decisions. It was this kind of listening that led me to choose the college I ended up attending — where I met several people who would change my life, where I had the opportunity to do independent research that eventually led me to my Pagan path, and where I earned a degree as valedictorian of my college class. It was by listening to my intuition that I found myself moving across the state to the lovely city of Pittsburgh — where I first entered a graduate school program and then left it for being wholly unsuitable to my personality, where I found a job as a waitress (against everyone's hopes and expectations) and spent five years wandering spiritually and intellectually in ways I never could have if I'd settled down and gotten a "real" job. It was intuition that led me to seek out a connection with Jeff, who happened to have connections in Pittsburgh through both family and work and who eventually took a leap of faith of his own and moved here to be with me. And it was intuition that prodded me into taking a trip across the ocean to the land of my ancestors, despite being terrified of both airports and flying, and having never traveled alone or abroad before.

But these were all times when a singular opportunity presented itself, and I had a simple choice to make: stay, or go. Now, I found myself in a much more complicated situation, with almost endless possibilities any of which might be fruitful depending on how I chose to direct my energies. I also had more responsibilities and obligations, not least of which were the children to whom I'd soon become a stepmom. And so I also had a pressing sense that it was important to make a choice of some kind and follow through with it, rather than languishing passively and allowing Spirit to drag me along where it would. I had spent a lot of time cultivating my will and honing my skills — now, I felt a strong and definite call to step up and be active in my own destiny, to act out my gratitude for the blessings of my life by taking a more directive role in the work I would do in the future. But of course, that work still needed to be grounded in Spirit and soul-longing.

The Long Goodbye: Part One

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The golden cups
are in his hand,
his hand is on the knife
and the knife is
above my head.

- Taliesin*

Three times I drew the Seven of Cups, card of soul-wrought dreams and tempting fantasies beckoning, and possibilities so numerous they seem to paralyze all ability to choose. Three times I drew the card in daily meditation before I finally agreed to seek for further guidance.

Where It's At

Things have been all tangled up lately. The puzzle box or wrinkled seed that was planted in my heart during my time in Northern Ireland — the small, mysterious thing curled in upon itself that I had all but forgotten about as things returned to normal — has been creaking and clicking as one by one its latches unhook and slip open... or it has been germinating and putting down roots that slip their sly tendrils in to pry open the soil of my soul. It all sounds very dramatic when you put it like that, but the truth is that I have been growing increasingly dissatisfied and frustrated with certain aspects of my work. And when I say work, I mean the soul-work of my writing, that strange little hobby that cannot make me a living but is indispensable to making me alive.

I've started to have serious doubts about blogging as the appropriate medium for my writing. It takes a huge amount of pride-swallowing to write that sentence, considering it was only a few months ago I was raving about how Meadowsweet & Myrrh was like my online "home," and scoffing arrogantly at people who easily abandon their blogs and let them lie fallow and un-updated for months at a time. I take my writing — and thus my blogging — very seriously, perhaps too seriously at times. I am as slow to abandon a project as I am to leave behind a faith path that no longer meets my spiritual needs (and it took my nigh on half a decade of dilly-dallying to do that before I finally dropped the Catholic label and admitted to myself what everyone else already knew).

Keeping the Days: Autumn Sepia

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Autumn Sepia
Frick Park, Pittsburgh, PA

Dark Goddess of Star Fire: A Meditation

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As the sun passes from water into fire and the moon swells full over the cold, hardening ground of the land, I ready myself for a night of ritual. In preparation for tonight's work, a few days earlier I spent some time in prayer and meditation, seeking the wise company of whatever guides might appear.

It began with a few tenuous notes turning and echoing out across the waters, the keening of the violin striving against its own tension and yearning. I was there, on the same familiar rocky cliff that curved in around a small bay, the dark waters of the ocean stretching out far beneath me. The murmuring wash of waves among the pebbles of the beach below, rocking in rhythm until the music faded again into silence.

Above me, the stars began to slip out into the night, one by one, as though disrobing from the dark veils of the night sky. One by one, they turned and shot a gasp of brilliance blazing out in a spiny halo of light around them, then pulled back again, glistening and humming with a silent energy. I lifted my head to ask them for their wisdom. It seemed as though one beckoned to me, glimmering more brightly than the rest. The vertigo of a wild night sky thrown open from horizon to horizon swept over me as my gravity seemed to shift — and then before me, solid as stone it seemed, a staircase spiraled upwards into the starscape. Step by step I climbed, my feet steady, my eyes on the scattered specks of light. Each step fell thick and heavy as though on stone draped over with the deep, plush fabric of night and darkness and stillness. As I reached the final stair, the star before me stepped close as a woman, dark and brilliant with features that seemed to shift as she turned, as though I gazed into her eyes from across countless light years. She smiled, and lifted her hand to caress my cheek and temple.

Then all at once, her other hand was at my throat, grasping my jaw firmly. With one quick motion she wrenched my face away, palm hard against my forehead, and I felt my spine snap as my body crumpled beneath her hard, cold fingers.

Keeping the Days: Leaves After Rain

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Leaves After Rain
Frick Park, Pittsburgh, PA

Keeping the Days: Woods in the Fall

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Golden Woods in the Local Park
Frick Park, Pittsburgh, PA

Sunrise on an Autumn Morning

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Keeping the Days: Meditation in Autumnal Woods

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On a beautiful autumn day just before Samhain, I headed deep into the woods that border our neighborhood
for some meditation among the trees, rocks, wind and sunlight.




Music by Pamela Bruner, "The Surrender" from Circle of the Soul

The Three Elements of Druidic Ritual

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The sun has set, and twilight settles dark over the autumn landscape. In another half an hour a harvest moon, swelling but not quite full, will rise over the eastern horizon, but for now the grove is thick with gray mist and half-seen shadows. In the center, a thin white altar cloth drapes a low, square stone; the cloth shifts once in a while, ghostly and almost whispering with the silent breeze that barely moves the trees. The altar itself is decorated with gourds, dried pale aster blossoms and pressed fall leaves collected from the local landscape over the past week, bringing out subtle shades of yellow, orange, russet and deep greens that are, nonetheless, difficult to distinguish in the darkness. A small bowl of incense smolders and smokes, its scent mingling with the damp late-night fog, and in the center of the altar a small lidded cauldron sits waiting, the waters of life inside ready to be ignited. When the time is right.

Suddenly, the strike of a match and a flame flares into life, held delicately between the fingers of a white-robed figure. Opening the cauldron, she tosses the match inside and within seconds a column of fire is dancing and leaping upwards as if out of the very womb of darkness, lapping at the round, black lip of the iron pot. Flickering light illuminates the entire grove, revealing other figures standing poised on the threshold of vision, some dressed in white, others in the colors of the elements or of the autumnal season. As the cauldron fire grows stronger, the center figure raises her arms in a gesture of gratitude and exaltation, and those in the surrounding circle do likewise. Together, all begin to chant the familiar words of prayer, the syllables weaving and repeating, their voices cascading over one another in a rising harmony of sound and vibration. The energy is palpable, flowing through each tongue of fire, grounding in the deep earth and arcing towards the celestial realms — and each participant adds their own energy, opening themselves to the awareness of connection moving and dancing through the grove.

This is the cosmos recreated, the three realms meeting in a center which is everywhere at once.

The chanting prayer drops suddenly to a slow-whispered awen, and the grove falls once more into silence, the only sound that of the flames trembling and sizzling on the altar. Everyone waits expectedly, their skin shivering with energy, for the ritual to continue.

Keeping the Days: Fire and Flame

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Autumn Water Lilies
Phipps Conservatory, Pittsburgh, PA

Keeping the Days: Water and Wave

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Moonrise over the Atlantic, Outer Banks, NC

Dreaming the Blue Sword: A Vision of Nonviolence

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In 2007 the U.N. General Assembly adopted a resolution recognizing Mahatma Gandhi's birthday (October 2) as the "International Day of Non-Violence." The resolution highlights "the holistic nature and the continued relevance of the Mahatma's message for our times, indeed for all times to come. It encompasses the rejection of violence against oneself, against others, against other groups, against other societies and against nature."

We were in the dream, deeply, all of us abandoned to the dark and nervous landscape of nightmare.

There were so many of us, all strangers, all lost in what might have been a vast forest of ancient trees, their rough bark twisted with vines, or what might have been a great hall of smooth marble pillars, impassive as gods holding up the infinite ceiling of the night sky. Whatever it was, it was grand and tall and sweeping in every confused direction, and we bumped and stumbled together, low and frightened and half-blind. I was panicked, terrified, my heart pounding in my gut and my ears and in the soles of my feet. And in my hands, slick with sweat and fear, I gripped a sword.

Keeping the Days: Sky and Flame

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Sunset from Cadillac Mountain, Acadia National Park, Maine

Keeping the Days: Earth and Stone

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Mushrooms of Acadia National Park, Maine

Keeping the Days: Water and Well

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Witch Hole Pond, Acadia National Park, Maine

Excerpts from the Qur'an and the Poetry of Rumi

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The most helpful book on the Qur'an that I have ever read is Michael Sells's Approaching the Qur'an: The Early Revelations (with audio CD). In this book, he not only provides subtle translations of the text, a sound introduction to the history and cultural background of Bedouin/Arabic poetry at the time of the Qur'an's writing, and a thorough discussion of the role of recitation and verbal prayer within Islam — he also provides extensive commentary on each sura, exploring some of the many themes and recurring imagery throughout the text. Below are some excerpts from his translations of the earliest suras, along with my own attempts to paraphrase and expand on some of his commentary.



The Small Kindness (107:1-7)

In the Name of God the Compassionate the Caring

Do you see him who calls the reckoning a lie?
He is the one who casts the orphan away
who fails to urge the feeding of one in need
Cursed are those who perform the prayer
unmindful of how they pray
who make of themselves a display
but hold back the small kindness

Peace and the Celtic Spirit: Excerpts from a Journal (7)

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In August 2010, just past the waxing quarter moon, I attended a retreat on Celtic spirituality and peacemaking in Northern Ireland. The hosts of the retreat asked us to respect the safe and sacred space created by the community, and refrain from attributing direct quotes to any of the attendants or speakers. With that in mind, the following are excerpts from the journal I kept.

Day Seven — Day of Silence

Is this a dream of mine, or something somebody told me? There is a house full of people, all of them moving and silent, and you cannot know where they are because you cannot hear them moving. It is dark. And so every once in a while, in the dark, suddenly you come upon another person — and you are both surprised, and horrified, to discover one another in the quiet, busy emptiness of the world.

Today, the house reminds me of this dream — except the rooms are full of sunlight, and against every windowpane a bee churns away its noisy presence into dust and nothing.

~*~

Peace and the Celtic Spirit: Excerpts from a Journal (4)

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In August 2010, just past the waxing quarter moon, I attended a retreat on Celtic spirituality and peacemaking in Northern Ireland. The hosts of the retreat asked us to respect the safe and sacred space created by the community, and refrain from attributing direct quotes to any of the attendants or speakers. With that in mind, the following are excerpts from the journal I kept.

Day Four — Poetry, Landscape, Lectio Devina

I sat to pray by the side of the water, and everywhere in the mountains it was morning. I could watch the sun creep down towards the shore, slowly down the sloping hills, down the green, down from the low clouds where they drifted like hardly-held breath.

I sat to pray, and no words came, except the sacred silence, the intake of breath, the slow and gentle rearranging of my body to open and let in just a little more sky. What kind of prayer could I utter after this? When what I wanted most was only to keep moving, to keep shifting in this way, until every part of me was open, and the waters and the clouds and the mountains in their shining came rolling in.

~*~

I wonder if the gods feel this intimacy too, and if, in coming with my ancestors to America, they feel the loss of it as well. Does the land seem larger to them, sprawled out and scaled up — do they miss the smallness of it? That such a small and intimate land could be so full of gods — how could there be enough room? — and yet such a large land have only one.... In some ways it makes no sense.

Keeping the Days: Earth and Stone

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Long Pond, Acadia National Park, Maine

Delving into Divination: A Long Story of Silliness

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Temperance (XIV): Dressed in faded red, she perches perfectly balanced and at ease on the twisted limb of the old tree, suspended in air rippling, spiraling, tingling with the great powers that surround her. In her pale arms she cradles the pulsing sphere — wisps of energy, the tiny fey beings, drift and rise like steam, swirling and weaving, twining around each other as they climb until they blossom into full, solid forms. Watery blue, fiery gold, the great-talonned dragon and the frantic phoenix entwining, arching skyward, each with an orb of its own, pure color. The stony gargoyle makes offerings; the little songbird opens its wings wide, about to take flight. Her thoughts turn around them, seeking the power of their presence. She touches the sphere, undisturbed, her long fingers moving lovingly in contemplation — the perfect, pale-white glow of a halo exactly framed by the curve of her small, delicate wings, the light of it whispering to her, her thoughts turning around each other, dark and bright, water and fire, a sensual dance of power, duality, tension and life. The brown curls of her hair float as if caught up in a warm, rising current. She holds the churning forces of the world in her mind, between her hands, and every movement is poised here, utterly, in this moment, like a gulp of delicious air, like a quiet gasp in the center of a storm.

- excerpt from my tarot journal

For one reason or another the practice of divination has been something that, for a long time now, has given me trouble. I just never seemed to "get into" it. Perhaps because of the amount of study and memorization it seemed to require (though for other subjects and practices this has never stopped me). Or perhaps because my day-to-day life is often so exquisitely routine that daily readings hardly seemed relevant. Or maybe both. Though I consider myself a generally intuitive person, cultivating this aspect through my creative writing, divination as a regular practice seemed... unnecessary, one of those things people did to feel "occult" rather than taking the time to analyze their motivations and behaviors in more mundane ways, or maybe to wow their friends at parties. But I don't go to many parties, lovely readers, not many parties at all.